Skip to main content

Listening to Roxy Music.

I remember in high-school, I was digging on the Velvet Goldmine soundtrack. Now, Roxy only contributed maybe a song or two to that disc, but their influence was all over it, what with a couple covers, a track from Bryan Ferry, and another from Brian Eno. My brother, Devin, came down the stairs with a couple of stoner friends, declaring, "You listen to some gay music," or so.

Heh. Like I care. Roxy Music is the awesome. Anyone who hates on them doesn't like their rock creative.

I think probably told him I'd kick his ass if he liked, regardless. Course, he ducked that fight.

Comments

  1. I remember in high-school, I was digging on the Velvet Goldmine soundtrack.

    And you think you're old. ^_-

    ReplyDelete
  2. Oldish.

    I was 18 at the time, and all my classes were at a community college, so, technically, I could have said, "in college", but that would have ignored the fact I hadn't received my diploma yet.

    ReplyDelete
  3. Hehe. Just ribbing you.

    To give you a bit of perspective, Bête Noire came out my sophmore year of high-school.

    I gave my (at the time future-) wife a tape for her birthday, the second time we got together, that included a number of Roxy Music/Brian Ferry songs. It's one of her fondest memories.

    Smack your brother once for me if her complains again.

    ReplyDelete

Post a Comment

Popular posts from this blog

An introduction to a book that doesn't exist:

Prose and verse are generally accepted as distinct writing formats with their own rules, styles, and grammars.  Though their borders are somewhat vague, they have come to be seen as something of a dichotomy in the eyes of the general public.  There are, however, at least 3 other popular approaches to writing as exhibited in picture-books, comicbooks, and plays.  Though sometimes given short shrift, these styles are accepted as literature.  They are included in libraries, book stores, and academic study.  Most importantly, they are read. In the general case, there is clearly writing being done in the creation of any one of these.  But what of the wordless comic or silent play?  Should we consider scripts written, but fully realized plays, comics, and picture-books, to be performance, art, or some other kind of non-literature?  These worries of theory are kinks to be worked out, surely, but they are not of immediate practical concern to the writer...

Magical Unrealism

The same men who say global warming is a hoax, Obamacare has been failing for eight years, and abstinence-only sex-ed works are also convinced even basic gun control is an impossible and useless approach which would only make us less safe. These are also the dudes most likely to tell you black and brown folk have it too good, Obama is a secret Muslim born in Kenya, and Sharia law is being forced on American legal systems. I wonder if there's some sort of overarching thread or theme to all this.

Miike Takashi's Sukiyaki Western Django

I am a big fan of prolific Japanese director, Miike Takashi. His movies are not always good (which would be an accomplishment, considering he averages about three feature length films a year), but he doesn't mind experimenting or playing around. Not everything he tries works, but when it does, it can be pretty damn awesome. His subjects and genres vary wildly from a musical about a family running an inn, to a kid fighting goblins, to some of the best yakuza flicks I've seen. Meanwhile, he tends to get good performances from his actors, even when they are children or non-native Japanese speakers. The only time I've been completely disappointed with one of his pieces was a rejected instalment in Showtime's Masters of Horror , entitled 'Imprint'. The story was stupid, and the acting was bad. This was Miike's first all English production, and it showed. So, when I found out one of his 2007 films, Sukiyaki Western Django was in English, I was a bit put off. How ...