Prose and verse are generally accepted as distinct writing formats with their own rules, styles, and grammars. Though their borders are somewhat vague, they have come to be seen as something of a dichotomy in the eyes of the general public. There are, however, at least 3 other popular approaches to writing as exhibited in picture-books, comicbooks, and plays. Though sometimes given short shrift, these styles are accepted as literature. They are included in libraries, book stores, and academic study. Most importantly, they are read. In the general case, there is clearly writing being done in the creation of any one of these. But what of the wordless comic or silent play? Should we consider scripts written, but fully realized plays, comics, and picture-books, to be performance, art, or some other kind of non-literature? These worries of theory are kinks to be worked out, surely, but they are not of immediate practical concern to the writer...
Everything after that first punch is probably superfluous, but who said you had to be kind in a fight?
I'm digging the way you did the hands on the bottom part. It's got a cool, smoldering sort of texture. Probably not what you intended, but looks like he was punching so fast his hands caught on fire and he's shaking them out.
ReplyDeleteI also generally like the style of the bottom ones better. It might be because of the line weights and the textures. I'm not entirely sure. The flow of the guy's body/gesture just looks better to me.
The lower bits were done with a Copic multiliner (like a single use mechanical pen). I was far more adept with it than with the cheap (and breaking) cartridge-brush. However, it was the dripping brush which lead to the spill, which gave rise to the much improved lower half. So.
ReplyDeleteAs to my intent, he was supposed to be dancing. But putting out firey hands is good, too.
Better, even.
ReplyDelete