Skip to main content

Proposed endings

...for comicbook villains. After all, who deserves it more?

-Doc Oc, in a retirement home, drives those around him nuts. Inevitably, he regains his tentacles, and breaks a hip. Convalescing, he continues to annoy those around him.

-The Joker, declaring, "It's just not worth it, anymore," goes straight (but remains unhinged) and realizes his dream of being in showbiz, as a radio DJ and late-night host. Batman doesn't believe it, and wastes an hour every night watching Joker's show, refusing to admit he likes it.

-Bullseye careens into a self destructive pattern that finally does him in. Everyone he's ever worked for or against tries in some way or another to talk him out of it, to no avail. Deadpool offers to make it quick and kill Bullseye himself, but is turned down. The man who can turn anything into a weapon is eventually slain by some no name punk in a foreign country, where no one knows him.

-Luthor, dying an inadvertent death, has his life flash before his eyes, and dies happy, even without having killed Superman. In a brief epilogue, various media and personal reaction follows. The last panel has Clark at Lex's funeral, looking sadder than one might expect.

-The Penguin throws a party, where he remains at once aloof from and tangentially tied to both crime and legitimate business and social concerns. He will never have to tangle with the likes of Batman again.

-Bane decides he's happier in prison than out, and gets himself put away for life with an intentionally bungled gas-station burglary. He ends up running life inside the prison while wearing glasses and reading the latest high literature.

-An elderly Riddler trains a kid to take his place, perhaps with the reveal that this kid is, in fact, the new Robin on his first assignment. If that route is taken, this remains unknown to Edward Nigma.

Comments

Popular posts from this blog

Magical Unrealism

The same men who say global warming is a hoax, Obamacare has been failing for eight years, and abstinence-only sex-ed works are also convinced even basic gun control is an impossible and useless approach which would only make us less safe. These are also the dudes most likely to tell you black and brown folk have it too good, Obama is a secret Muslim born in Kenya, and Sharia law is being forced on American legal systems. I wonder if there's some sort of overarching thread or theme to all this.

The summer's demi-apocalypse has to wind down at some point.

It's the end of summer, once again. I could not be any more ready for cool weather, rain, and a chance for the forests to recover from the flames. After travelling near fires in Colorado and Oregon's Columbia river gorge, I am back wondering about north Seattle, under a red sun and painterly clouds, not far enough from the source of the drifting smoke. It seems like the world is burning, but that can only last so long.

Miike Takashi's Sukiyaki Western Django

I am a big fan of prolific Japanese director, Miike Takashi. His movies are not always good (which would be an accomplishment, considering he averages about three feature length films a year), but he doesn't mind experimenting or playing around. Not everything he tries works, but when it does, it can be pretty damn awesome. His subjects and genres vary wildly from a musical about a family running an inn, to a kid fighting goblins, to some of the best yakuza flicks I've seen. Meanwhile, he tends to get good performances from his actors, even when they are children or non-native Japanese speakers. The only time I've been completely disappointed with one of his pieces was a rejected instalment in Showtime's Masters of Horror , entitled 'Imprint'. The story was stupid, and the acting was bad. This was Miike's first all English production, and it showed. So, when I found out one of his 2007 films, Sukiyaki Western Django was in English, I was a bit put off. How ...