Skip to main content

All of Mitt, why not take all of Mitt?

You cannot see his feet, but the pose suggests he may be flying.
Mitt Romney's convention started late, became best known for Clint Eastwood supposedly yelling at a chair, and helped the former governor a point or two in polls for less than a week.  Then the Democratic National Convention happened, and nothing has gone right for the Republican candidate for POTUS since.  It's been a bad few weeks, so the Romney campaign has decided to rethink their approach.  What they want to do now has been whittled down to two words, "More Mitt". 

However, people who have gotten to know the politician (as such) have historically come to think less of him over time.  Every opponent in each race he has run has come to disdain him. His statewide approval ratings by the end of his one term running Massachusetts were enough to convince him, and every other politico in the state, he had no shot at a second sitting.  His personal popularity within his party during the recent presidential primaries also dipped as time went on.

It doesn't look like he's poised to buck this trend, either.  Not only do people not like him as much as they like the president, they don't think he's as tough.  Most believe Obama would win in a fist fight with Romney.  Even more think Barrack would do a better job than Mitt of repelling an alien invasion.  Also, only a few people think the former governor deserves credit for killing Osama bin Laden.  No poll shows any positive movement on these matters, either--except maybe the last one.  These things clearly matter in a prospective commander in chief, especially an otherwise unpopular one.

Whatever people think of Mitt Romney's intellect or prowess as a CEO, very few actually like the guy, and exposing a larger number of potential voters to him on a more regular basis may be detrimental to his interests.  So, how might 'More Mitt' work?

Perhaps if Romney's campaign simply released photos showing more Mitt, head to toe.   Exhibiting the candidate as a model-like-man (as well as a talking head) might humanize him a bit.  Besides, something makes Mitt Romney think he would be a good Commander in Chief.  Who knows? Maybe it's his shoes.

Comments

Popular posts from this blog

An introduction to a book that doesn't exist:

Prose and verse are generally accepted as distinct writing formats with their own rules, styles, and grammars.  Though their borders are somewhat vague, they have come to be seen as something of a dichotomy in the eyes of the general public.  There are, however, at least 3 other popular approaches to writing as exhibited in picture-books, comicbooks, and plays.  Though sometimes given short shrift, these styles are accepted as literature.  They are included in libraries, book stores, and academic study.  Most importantly, they are read. In the general case, there is clearly writing being done in the creation of any one of these.  But what of the wordless comic or silent play?  Should we consider scripts written, but fully realized plays, comics, and picture-books, to be performance, art, or some other kind of non-literature?  These worries of theory are kinks to be worked out, surely, but they are not of immediate practical concern to the writer...

Magical Unrealism

The same men who say global warming is a hoax, Obamacare has been failing for eight years, and abstinence-only sex-ed works are also convinced even basic gun control is an impossible and useless approach which would only make us less safe. These are also the dudes most likely to tell you black and brown folk have it too good, Obama is a secret Muslim born in Kenya, and Sharia law is being forced on American legal systems. I wonder if there's some sort of overarching thread or theme to all this.

Miike Takashi's Sukiyaki Western Django

I am a big fan of prolific Japanese director, Miike Takashi. His movies are not always good (which would be an accomplishment, considering he averages about three feature length films a year), but he doesn't mind experimenting or playing around. Not everything he tries works, but when it does, it can be pretty damn awesome. His subjects and genres vary wildly from a musical about a family running an inn, to a kid fighting goblins, to some of the best yakuza flicks I've seen. Meanwhile, he tends to get good performances from his actors, even when they are children or non-native Japanese speakers. The only time I've been completely disappointed with one of his pieces was a rejected instalment in Showtime's Masters of Horror , entitled 'Imprint'. The story was stupid, and the acting was bad. This was Miike's first all English production, and it showed. So, when I found out one of his 2007 films, Sukiyaki Western Django was in English, I was a bit put off. How ...