Skip to main content

A Narrow Miss

Strolling through my lazy neighborhood, I came to a corner with a clearly marked crosswalk. I stopped, checked traffic, and proceeded over the boldly painted, white stripes. There was a single sedan quickly heading toward me, but there was also several blocks between us. Partway into the street, I could tell this oncoming car and I were going to have an unfriendly meeting if we kept our current rates.

I have never been bulky enough to pose a serious threat to a mid-sized car travelling 50mph, but it has been twenty years since I might have been called 'small'. In the middle of a spring day, with a break in the clouds, it would've been hard to miss me crossing a nearly deserted street.

"Still," I thought, "maybe he hasn't noticed me."

I slowed, raised my hand, and attempted eye contact with the driver... eliciting nothing from the speeding bastard, who had certainly seen me by then. I lifted my hand further, turning it in a salute halfway between a futile plea for civility and an ironic 'thank you'. As he angrily flew past (coming within five feet, and staring right at me), he replied with an imperious three-fingered gesture I understood as, "You expected me to stop? I'm driving like a madman!"

I wished I had something to throw at him, but I am not in the practice of carrying stones or eggs. Perhaps it is for the best.

Comments

Popular posts from this blog

Magical Unrealism

The same men who say global warming is a hoax, Obamacare has been failing for eight years, and abstinence-only sex-ed works are also convinced even basic gun control is an impossible and useless approach which would only make us less safe. These are also the dudes most likely to tell you black and brown folk have it too good, Obama is a secret Muslim born in Kenya, and Sharia law is being forced on American legal systems. I wonder if there's some sort of overarching thread or theme to all this.

An introduction to a book that doesn't exist:

Prose and verse are generally accepted as distinct writing formats with their own rules, styles, and grammars.  Though their borders are somewhat vague, they have come to be seen as something of a dichotomy in the eyes of the general public.  There are, however, at least 3 other popular approaches to writing as exhibited in picture-books, comicbooks, and plays.  Though sometimes given short shrift, these styles are accepted as literature.  They are included in libraries, book stores, and academic study.  Most importantly, they are read. In the general case, there is clearly writing being done in the creation of any one of these.  But what of the wordless comic or silent play?  Should we consider scripts written, but fully realized plays, comics, and picture-books, to be performance, art, or some other kind of non-literature?  These worries of theory are kinks to be worked out, surely, but they are not of immediate practical concern to the writer...

The summer's demi-apocalypse has to wind down at some point.

It's the end of summer, once again. I could not be any more ready for cool weather, rain, and a chance for the forests to recover from the flames. After travelling near fires in Colorado and Oregon's Columbia river gorge, I am back wondering about north Seattle, under a red sun and painterly clouds, not far enough from the source of the drifting smoke. It seems like the world is burning, but that can only last so long.