"3 Guys, 1 Gun" the story so far.

This is a series I've been working on since mid January this year, and I've only done four pages on it. Worse, it's the only comic I've been working on this whole time. Oh, sure, I've given some thought to other comics' plots and scripts, but I haven't really done any serious drawings for that stuff, and I haven't gotten any scripts written. WTF, you know? I should at least be able to do one of these a week. The first two of these I thought of on a walk and got them written and drawn in like two days. This shouldn't be taking as long as it has, and I should be doing other work.

Shoot.

Whatever, I'm proud of the work I've been doing, there's just not enough of it.

Comments

An introduction to a book that doesn't exist:

Prose and verse are generally accepted as distinct writing formats with their own rules, styles, and grammars. Though their borders are somewhat vague, they have come to be seen as something of a dichotomy in the eyes of the general public. There are, however, at least 3 other popular approaches to writing as exhibited in picture-books, comicbooks, and plays. Though sometimes given short shrift, these styles are accepted as literature. They are included in libraries, book stores, and academic study. Most importantly, they are read. In the general case, there is clearly writing being done in the creation of any one of these. But what of the wordless comic or silent play? Should we consider scripts written, but fully realized plays, comics, and picture-books, to be performance, art, or some other kind of non-literature? These worries of theory are kinks to be worked out, surely, but they are not of immediate practical concern to the writer...

For Every Problem, a Solution (4)

God as depicted throughout the ages. No Alanis Morissette, and, no, that isn't ironic.

Unfinished business

And I don't expect to be paid for a job I never completed. Or any other, when it comes to art. >_> Other notes: -Drawn somewhere around 2004/2005. -I like blue.

Pointless Man

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