Skip to main content

The Who's Who's Next never fails me.

The original release (less the CD 'bonus' tracks) is the best rock album of all time. 'Baba O'Riley' opening notes always make my eyes crinkle in a smile. After many listens, my whole body anticipates the moments the drums kick in from that first bit of synth. When you hit the fiddle at the end of that opening track, you're reached the plateau. No flagging moments on this record; just a rush right through to 'Won't Get Fooled Again'.

Who's Next may not offer the forward thinking production of late Beatles material, or the towering rock of Led Zepplin, but, in exchange, the Who offer superior commentary and vision (both satiric and earnest), as well as better played piano, bass, and drums, in a tight little package whose coherence as a single piece is rarely challenged in classic rock.

Now, to tie this in to recent events, many is the revolution people have cheered. How many have brought the 'change we need'? Here's hoping this boss isn't the same as the old boss. Not that that should be too hard. But if all 'change' means is, "not relevantly similar to G. W. Bush", well, I don't think that's what people have been celebrating. Obama's better than that, right?

Man. I hope so.

Comments

Popular posts from this blog

I put it to you:

What is wrong with moustaches? Eh?

For Every Problem, a Solution (5)

The final installment of the 'Solution', unless I decide to draw out the following ideas: -Glen Danzig in 'Heavy Metal Human Sacrifice' -Two Face in 'Homophobia' - Steve Martin, as Navin Jackson, in 'Jerks!'

Sisyphus, as Per Camus:

Word.