Skip to main content

For Every Problem, a Solution (2)

Each panel originally had a caption, a feature which was scrapped in a silly attempt to bring cohesiveness to the page as a whole.  They were as follows:

panel 1 - Pig fingers!  Carrot hands!  Cannot draw!

panel 2 - Focus off.

panel 3 - Perspective is a matter of perspective.

panel 4 - What, me worry?

In thinking about it, I suppose I might have impanelled these in the orange bar at the right, but it probably would've been a bit much.
...

I'm not sure how wide-spread the campaign is, but in  Seattle, there are numerous billboards and bus signs which read, "Jesus is ____."  I want to play mad libs with these things, or else write in, "a day labourer."  Other acceptable answers include, "bearded," and, "featured in a Leonard Cohen song."

Comments

  1. I was kind of wondering why you usually don't put politics into your paintings/drawings.

    I don't usually do it either, but I always just chalked it up to the fact that I don't have any coherent political opinions.

    I drew a picture of Barack Obama as a llama smoking a joint, and one of Titt Cromney, with a fake female breast sewn over his suit, but that's it.

    I've never seen a Jesus is.... sign. All I see our are bumper stickers on cars that assure me that Jesus loves me.

    We don't have public transportation buses where I live.

    We do have billboards though...

    ReplyDelete
  2. Solving large scale social issues is, in part, a political matter, so that's why I strayed there with this stuff. As to other comics I've done, I don't know. Honestly, it almost never occurs to me to make political comics. I guess politics is a separate realm to me, and I can better express myself on those matters in prose, or at least it's easier than it would be in comic form.

    I'm also not much for editorial caricatures, so single panel political cartooning would be a stretch for me. I like your ideas, though. 'Titt Cromney' is a funny name, even without the visual gag.

    ...Billboards are everywhere, Crayon. They probably have them along the Amazon these days. Putting buses there would be a little harder.

    ReplyDelete
  3. Forgot to ask for links to the drawings or your webpage. Please.

    ReplyDelete
  4. I've considered doing editorial type caricatures of the kind I see in the newspaper. But then when I try to come up with ideas, the burden of trying to be clever/witty and socially relevant ends up getting the better of me.

    Here's a link to my webpage: http://captainprinny.blogspot.com/

    ReplyDelete
  5. If you think of it as something you've got to live up to, you're probably never going to be happy doing cartoons. I'm most satisfied after I stop caring whether something's going to be good or not, and just do it. Even when I don't like the product, or when I screw up somewhere, I can use what I did right later.

    ReplyDelete
  6. That's a good approach, I think. I feel like I've spent the better part of my post high school years trying to do that...

    ReplyDelete

Post a Comment

Popular posts from this blog

An introduction to a book that doesn't exist:

Prose and verse are generally accepted as distinct writing formats with their own rules, styles, and grammars.  Though their borders are somewhat vague, they have come to be seen as something of a dichotomy in the eyes of the general public.  There are, however, at least 3 other popular approaches to writing as exhibited in picture-books, comicbooks, and plays.  Though sometimes given short shrift, these styles are accepted as literature.  They are included in libraries, book stores, and academic study.  Most importantly, they are read. In the general case, there is clearly writing being done in the creation of any one of these.  But what of the wordless comic or silent play?  Should we consider scripts written, but fully realized plays, comics, and picture-books, to be performance, art, or some other kind of non-literature?  These worries of theory are kinks to be worked out, surely, but they are not of immediate practical concern to the writer...

Every thief must go.

Robin , chapter 5  Previous Chapter Robin kept herself busy through her unemployment doing chores and practising martial arts, but mostly she spent time playing in the woods.  The bears avoided her, and she kept out of the thieves' way, as much as she could.  This was no easy task, for Sherman's Forest had its share of scoundrels. Chief of these was Lance Bucskin, infamous for scamming old ladies and still more renowned for his hatred of puppies, which he would kick whenever the chance arose.  Even his own men found his proclivities distasteful, but he had a way with weapons and highway robbery which held his fellows in awe. LANCE-- [clad in all green with a pointed cap; has a devil may care attitude; close cropped blond hair with a well waxed van dyke beard; 28 and in peak condition, he loves exhibiting his physical prowess as much as he enjoys booting little dogs; he is holding up a family as his rapt minions stand by] They're really not all that hard to im...

'((BORDERS))' & 'The Blue Trees' at Westlake Park

For the last few weeks, two public art projects have coexisted at Westlake Park, in the thick of Seattle's downtown. '((Borders))' is by Steinunn Thorarinsdottir , a metal sculptor who seems primarily interested in featureless people in various states and positions.  Originally installed outside of the U.N. headquarters, it is supposed to reflect something (or other) about multiculturalism.  Passersby seem most interested in the composition of the statues. Thoraninsdottir's site is pretty cool, by the way. Konstantin Dimopoulos's 'The Blue Trees' is meant to bring trees into contrast with their surroundings, and so remind people of them.  By extension, this is supposed to bring attention to deforestation, over-logging, and the like.  The actual effect is mere surreal wonderment, but anyone so confused can read the small sign standing in the middle of the park for clarification. I'm not sure how successful these are in achieving their stated int...