Skip to main content

The Kooks' Konk

A little over a year ago, I said the Kooks were alright. That was indeed true of their first album, Inside In/Inside Out. Their second LP, Konk, is not strong. While my last post on the band held there to be nothing wrong with good pop-rock, this new release isn't good. Focusing on the pop, they lose a bit of the rock, and seem to throw away that (post) Brit-pop thing they had going on. Not one track stands out as anything but inane background music for some primetime drama. It's a shame, and a loss to fans of accessible rock. Here's hoping their next effort takes them back to their roots.

Comments

  1. Give it a second listen. I saw them perform some of their new stuff live this weekend and it was fantastic. I had the same initial reaction when I heard Konk for the first time. Give it a second, third spin etc, and you might find you liked it more than you originally thought. This album in someways is actually more complex than their last. Seeing them preform their old stuff and then some of the newer tracks made that very clear this weekend. That said, a track like shine on is an exception.

    The Kooks are definitely still one of the best examples of popular Brit Rock today.

    ReplyDelete

Post a Comment

Popular posts from this blog

An introduction to a book that doesn't exist:

Prose and verse are generally accepted as distinct writing formats with their own rules, styles, and grammars.  Though their borders are somewhat vague, they have come to be seen as something of a dichotomy in the eyes of the general public.  There are, however, at least 3 other popular approaches to writing as exhibited in picture-books, comicbooks, and plays.  Though sometimes given short shrift, these styles are accepted as literature.  They are included in libraries, book stores, and academic study.  Most importantly, they are read. In the general case, there is clearly writing being done in the creation of any one of these.  But what of the wordless comic or silent play?  Should we consider scripts written, but fully realized plays, comics, and picture-books, to be performance, art, or some other kind of non-literature?  These worries of theory are kinks to be worked out, surely, but they are not of immediate practical concern to the writer...

Magical Unrealism

The same men who say global warming is a hoax, Obamacare has been failing for eight years, and abstinence-only sex-ed works are also convinced even basic gun control is an impossible and useless approach which would only make us less safe. These are also the dudes most likely to tell you black and brown folk have it too good, Obama is a secret Muslim born in Kenya, and Sharia law is being forced on American legal systems. I wonder if there's some sort of overarching thread or theme to all this.

Miike Takashi's Sukiyaki Western Django

I am a big fan of prolific Japanese director, Miike Takashi. His movies are not always good (which would be an accomplishment, considering he averages about three feature length films a year), but he doesn't mind experimenting or playing around. Not everything he tries works, but when it does, it can be pretty damn awesome. His subjects and genres vary wildly from a musical about a family running an inn, to a kid fighting goblins, to some of the best yakuza flicks I've seen. Meanwhile, he tends to get good performances from his actors, even when they are children or non-native Japanese speakers. The only time I've been completely disappointed with one of his pieces was a rejected instalment in Showtime's Masters of Horror , entitled 'Imprint'. The story was stupid, and the acting was bad. This was Miike's first all English production, and it showed. So, when I found out one of his 2007 films, Sukiyaki Western Django was in English, I was a bit put off. How ...